This is the room in which I do not write. The computer screen is open only to hide from sight the three books behind it. I prefer not to be reminded of failure. The one book in view is Maurice Blanchot’s The Book to Come as I believe it adds an ironic counterpoint to my otherwise desolate non-writerly existence. It’s gone now.
Resting on the Moleskine Ruled Notebook (Large) is a Pilot V7 Hi-Techpoint 0.7 Pure Liquid Ink pen. Both offer promise of annotating the undying torment of my profoundly literary imagination. On the open page you can see the beginnings of what might be the last poem I ever write: “Soya milk, bread, porridge”.
The lamp and the candle are never used because darkness enables me to forget the memories they contain. The lamp I stole from a German friend. At the time, I wanted a reminder of this fine, civilised nation as I prepared to leave never to return, while the candle was a gift from a beautiful woman of that same land whom I haven’t seen since she discovered I was a writer. It’s a misunderstanding, I told her, and that I could explain, but she had seen the discarded pen caps, the dense scribbles in notebooks and the hoard of unread books. It was too late. She looked into my blank eyes and left. [more...]
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Book Oven is dedicated to finding new ways to bring people and texts together. Bite-Size Edits is a thing we built to connect readers, writers and editors, all in the name of making better sentences.
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Try Bite-Size Edits and tell us what you think!This blog explores our relationship with text in the digital age. Blog posts written mostly by Hugh. [more...]
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One Comment
This seems to be a parody of a regular Guardian piece:
http://www.guardian.co.uk/books/series/writersrooms
which has me honking with laughter most weeks.